read TRANSPARENT MASK REVIEW: 11/10 STARS by jackshaw4682 April 7, 2021April 7, 2021 Ranked: MF DOOM by robbbiebaker March 29, 2021March 29, 2021 Giving Up the Ghost: Vaporwave, Pastiche, and Hauntology by Jaxon Silva March 11, 2021March 12, 2021 The Monolith: What Spotify Playlists Mean for Music in 2021 by Sophie Moore March 5, 2021March 6, 2021 Hip-hop, Quarantine, and the Virtual Future: An Interview with Local Artist Hakeem Sanusi by Brian Mendez March 2, 2021March 3, 2021 Away with Charity, all Hail Mutual Aid: The People’s Revolutionary Garden Network by Katie Rose February 27, 2021March 2, 2021 Uncut Gems: An Interview With Piezas Únicas by Jake February 22, 2021February 22, 2021 Interview: The Nude Party’s Shaun Couture talks Midnight Manor, Roadtrippin’, and Farm Animals by Cassidy Wurtz February 16, 2021March 17, 2021 The Meme Wars: Reddit Vs Wall Street by Brian Mendez February 12, 2021February 12, 2021 We Got Faded at the Hannibal Buress and Thundercat Drive-in Concert by Brian Mendez February 1, 2021February 5, 2021 Week Old New Music Roundup: Jan 24, 2021 by wavzine January 24, 2021January 24, 2021 Catching up with Pancho & The Wizards: New Album Coming Soon by robbbiebaker January 24, 2021January 24, 2021 Wake Up: Reflections on Political Music in the Post Trump Era by Hank McKay January 20, 2021January 20, 2021 All Girls to the Front: a Brief History and the Resurgence of Riot Grrrl by izzypedego January 13, 2021January 15, 2021 .WAV’s Favorite Albums of 2020 by wavzine January 8, 2021January 10, 2021 The Big Man’s Calling it Quits: Santa’s Resignation Letter by jackshaw4682 December 24, 2020December 25, 2020 New Music Roundup: December 20th, 2020 by wavzine December 20, 2020December 20, 2020 The rAWR-ing 20s: Gen Z Revives Scene on Tik Tok by Liv Collom December 18, 2020January 11, 2021 Invoking Resilience Through Music and Community: An Interview with Local Jazz Performer Deborah Gilmore by Katie Rose December 17, 2020December 18, 2020 Cataloging The Gizzverse: King Gizzard & The Lizard Wizard’s discography, ranked from worst to best by robbbiebaker December 16, 2020December 16, 2020 Doo-wop’ing into the ’20s: An Interview with Oliver from Trudy and the Romance by Brian Mendez December 11, 2020December 11, 2020 GODTET III – A Distillation of Jazz by Colin Brunson December 4, 2020December 4, 2020 New Music Roundup: November 28th, 2020 by wavzine November 27, 2020November 28, 2020 Everyone Needs a Bit of Boogie Chill – An Interview with Angus Dowling from Babe Rainbow by Brian Mendez November 19, 2020November 28, 2020 Collaborative Singles We Wish Were Full Albums by robbbiebaker November 13, 2020November 13, 2020 New Music Roundup: November 10th, 2020 by wavzine November 10, 2020November 10, 2020 New Music Roundup: November 1st, 2020 by wavzine November 1, 2020November 1, 2020 A Timeline of Politically-Charged Albums (and their never-ending relevance) by robbbiebaker October 28, 2020October 28, 2020 New Music Roundup: October 23, 2020 by wavzine October 23, 2020October 31, 2020 Bumble Bizz and the Rise of MLMs by Brian Mendez October 21, 2020November 28, 2020 New Music Roundup: October 11, 2020 by wavzine October 11, 2020October 21, 2020 New Music RoundUp: October 9th, 2020 by wavzine October 9, 2020October 26, 2020 Honeyboys Frontman Ari Eisenberg Talks Progressive Pop and the Slocal Music Scene by Delaney Faherty October 7, 2020October 7, 2020 Wine Pairing: Syrah and Bright Eyes by .wavzine September 30, 2020November 1, 2020 How Black Musicians Created House Music by robbbiebaker September 24, 2020September 25, 2020 In the Sauce ep 1: The Charities by wavzine September 24, 2020 FITE CLUB ep. 1 – Jesus is Kanye by wavzine September 17, 2020 For the Love of Americana by Jaxon Silva September 9, 2020September 9, 2020 August Album Picks by olivertawney September 8, 2020September 13, 2020 Jacob Collier’s New Album is a Maddening Listening Experience by Colin Brunson September 2, 2020September 2, 2020 Duckwrth: SuperGood Album Review by Liv Collom August 31, 2020September 8, 2020 New Music Roundup by wavzine August 28, 2020August 29, 2020 Hands off Tianna Arata and Elias Bautista by Delaney Faherty August 24, 2020September 1, 2020 July Album Picks by olivertawney August 16, 2020November 1, 2020 Local Rapper Sareem Talks the SLO D.I.Y. Scene, Conscious Rap, and the End of the World by Delaney Faherty August 13, 2020September 1, 2020 The Times They Are A-Changin’ – Protest Music of the ’60s by Mason Zeller July 31, 2020September 1, 2020 Album Review: Pottery “Welcome to Bobby’s Motel” by Jaxon Silva July 31, 2020September 1, 2020 Lost Legends: Arthur Brown, the Forgotten Forefather of Rock by Colin Brunson July 31, 2020September 1, 2020 Album Review: Freddie Gibbs/ The Alchemist “Alfredo” by robbbiebaker July 31, 2020September 1, 2020 Say What? Say So! How TikTok Has Revolutionized Music Streaming Culture by Maya Avendano July 31, 2020September 1, 2020 A Soundtrack to the Apocalypse by robbbiebaker July 31, 2020September 1, 2020 Here’s Why Burger Records’ Shutdown Will Lead to a Safer DIY Scene by Liv Collom July 31, 2020September 1, 2020 Rebecca Black’s Influence on the Neo-Novelty Artist by Delaney Faherty July 31, 2020December 4, 2020 Anthony Fantano’s Complicated Critic Status by Alex Cambra July 31, 2020September 1, 2020 On the Inability to Remove Politics from the Punk Movement by Maya Avendano July 31, 2020September 1, 2020
The Monolith: What Spotify Playlists Mean for Music in 2021 by Sophie Moore March 5, 2021March 6, 2021
Hip-hop, Quarantine, and the Virtual Future: An Interview with Local Artist Hakeem Sanusi by Brian Mendez March 2, 2021March 3, 2021
Away with Charity, all Hail Mutual Aid: The People’s Revolutionary Garden Network by Katie Rose February 27, 2021March 2, 2021
Interview: The Nude Party’s Shaun Couture talks Midnight Manor, Roadtrippin’, and Farm Animals by Cassidy Wurtz February 16, 2021March 17, 2021
We Got Faded at the Hannibal Buress and Thundercat Drive-in Concert by Brian Mendez February 1, 2021February 5, 2021
Catching up with Pancho & The Wizards: New Album Coming Soon by robbbiebaker January 24, 2021January 24, 2021
Wake Up: Reflections on Political Music in the Post Trump Era by Hank McKay January 20, 2021January 20, 2021
All Girls to the Front: a Brief History and the Resurgence of Riot Grrrl by izzypedego January 13, 2021January 15, 2021
The Big Man’s Calling it Quits: Santa’s Resignation Letter by jackshaw4682 December 24, 2020December 25, 2020
Invoking Resilience Through Music and Community: An Interview with Local Jazz Performer Deborah Gilmore by Katie Rose December 17, 2020December 18, 2020
Cataloging The Gizzverse: King Gizzard & The Lizard Wizard’s discography, ranked from worst to best by robbbiebaker December 16, 2020December 16, 2020
Doo-wop’ing into the ’20s: An Interview with Oliver from Trudy and the Romance by Brian Mendez December 11, 2020December 11, 2020
Everyone Needs a Bit of Boogie Chill – An Interview with Angus Dowling from Babe Rainbow by Brian Mendez November 19, 2020November 28, 2020
A Timeline of Politically-Charged Albums (and their never-ending relevance) by robbbiebaker October 28, 2020October 28, 2020
Honeyboys Frontman Ari Eisenberg Talks Progressive Pop and the Slocal Music Scene by Delaney Faherty October 7, 2020October 7, 2020
Jacob Collier’s New Album is a Maddening Listening Experience by Colin Brunson September 2, 2020September 2, 2020
Local Rapper Sareem Talks the SLO D.I.Y. Scene, Conscious Rap, and the End of the World by Delaney Faherty August 13, 2020September 1, 2020
The Times They Are A-Changin’ – Protest Music of the ’60s by Mason Zeller July 31, 2020September 1, 2020
Lost Legends: Arthur Brown, the Forgotten Forefather of Rock by Colin Brunson July 31, 2020September 1, 2020
Say What? Say So! How TikTok Has Revolutionized Music Streaming Culture by Maya Avendano July 31, 2020September 1, 2020
Here’s Why Burger Records’ Shutdown Will Lead to a Safer DIY Scene by Liv Collom July 31, 2020September 1, 2020
On the Inability to Remove Politics from the Punk Movement by Maya Avendano July 31, 2020September 1, 2020
